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CAS No.
93-04-9
Odour (decreasing):
Sweet, floral-neroli, orange blossom and acacia. Very diffusive. Fixative
Solvent:
DEP to give a 20% solution of nerolin yara yara
Main Synonyms:
beta-Napthyl methyl ether, Nerolin 1, Yara-Yara
Nerolin Yara Yara comes as powdery crystals, that take quite a lot of agitation to dissolve successfully so for those who don’t have access to an automatic stirrer or shaker we are offering it here at 20% in DEP.
If you prefer the, rather beautiful, pearlescent white crystals to use as they are or dissolve yourself they are available too through this product.
A powerful traditional perfumery material with a sweet floral aroma of orange blossom, acacia and neroli. Widely used in classic fragrances. This is a highly refined >99% pure grade, made especially for use in perfumery. The diffusion and persistence of this product is really remarkable and it performs exceptionally well in air-care applications.
Arctander gives us some useful data: “The odor of highly purified material is intensely sweet, Orangeblossom-Acacia-like, very tenacious, but many commercial grades are poorly refined and display rather harsh notes, an odor description generally used for this material... This ether is used extensively in low-cost fragrances for household products, soaps, detergents (but rarely in dishwashing detergents), and particularly in products where heat-and-alkali-stability are required. It is also used as masking odor for acrylic or other 'plastic' odors, synthetic rubbers, etc., which requires good retentiveness. A very inexpensive, non-purified grade is available for industrial masking purposes, and it offers powerful odor and good fixation. There is a considerable difference in price between the crude and the refined grades. [the crude] product is brownish, dark amber-colored or pale purple colored, usually in lumps of crystalline structure... [quite different from] the white refined product.”
Note that we were previously offering this material as a 5% solution in ethanol but have moved to 20% in DEP in order to give a non-flammable and more powerful product.
This product is included in the following Perfume Making Kit: 100 Essential Aroma Chemicals Kit Three
acacia, Aroma Chemicals, Fixatives, floral, Ingredients for Perfumery, Liquids, Molecules, neroli, orange-blossom, sweet,
No Safety Data Sheet (SDS) documentation is available for this product.
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Each entry contains a short list of scent notes with occasionally other short commentary to assist those who may not have encountered the material previously to decide whether it is of interest: I recommend you make your own assessment of each and every perfumery material you use however.
After pricing, quantity options and other basic details scroll down for narative descriptions: these are intended to assit interested readers as well as potential purchasers to assess the uses and potential of the material in question.
Many of the descriptions contain quotations from the manufacturer of the product and in addition I have quoted fairly extensively from Arctander[1] and from Arcadi Boix Camps[2] – both independent writers and both highly experienced perfumers.
There are also some quotes from Bedoukian[3] where details of the chemistry of a material are significant and from Scent & Chemistry[4] the authors of which have taken an analytical approach to the art of perfumery that is unusual and very useful. Quotations have been included from the extremely useful teaching books by Calkin & Jellinek[5] and Curtis & Williams[6] and Surburg and Panten [7] as well.
Anything not identified as a quotation is my own opinion of the material in question and it’s uses, but I am grateful to many other sources and perfumers as well as the expert authors named here. Please note that these descriptions are copyright of the author and, other than properly achnowledged fair use quoations as defined in English Law, republication in any form is not permitted.
[1] Steffen Arctander: quotations are taken from Perfume and Flavor Chemicals published in 1969 and Perfume and Flavor Materials of Natural Origin published in 1961
[2] Arcadi Boix Camps: quotations are taken from Perfumery: Techniques in Evolution, 2nd Edition published in 2009, but containing material written in 1978, 1985, and 1999 as well – where relevant the date of writing is noted with the quotations.
[3] Bedoukian: quotations are taken from Perfume and Flavoring Synthetics, 3rd, Revised Edition by Paul Z. Bedoukian, Ch.E., Ph.D. Published in 1986.
[4] Scent & Chemistry by Ohloff, Pickenhagen and Kraft, published as a book of that name in 2012, from which I have quoted, but also referencing updates on their maintained Facebook page . In addition this tag is used in the descriptions for other works involving the same authors, including:
[5] Calkin & Jellinek: quotations are taken from Perfumery: practice and principles by Robert R. Calkin, J. Stephan Jellinek, published in 1994.
[6] Curtis & Williams: quotations are taken from An Introduction to Perfumery 2nd Edition, by Tony Curtis and David G Williams, published in 2001
[7] Surburg and Panten: quotations are taken from Common Fragrance and Flavor Materials. Preparation, Properties and Uses. 5th Edition by Horst Surburg and Johannes Panten (Copyright 2006 WILEY-VCH Verlag GmbH & Co. KGaA, Weinheim), published in 2006
A quick note about spellings: this website is primarily written in British English - it is after all written by an English Perfumer - however most of the authors mentioned here and many of the manufacturers were writing for American audiences and published using American English: where that is the case I have, as far as possible, preserved the spelling used in the source material. As a result there may be inconsistencies on any given page, but that seemed to me better than arbitrarily changing material in the process of quotation.
We’ve recently had a change of policy - and bought some new containers - so now all ingredients are sold by weight whether they are solids or liquids. Only the 10ml and 5ml sizes incorporated in kits, and a few inexpensive materials such as solvents, are still done by volume. Even the 5ml and 10ml sizes will now be filled to contain 5g or 10g regardless of whether the material is solid or liquid.
Liquids up to 10g in glass bottles (where the fill level may vary as illustrated above), 30g and 50g in HDPE Plastic.
Those materials available in 1Kg are normally supplied in aluminium flasks similar to those used for the 500g size, though we do supply a few materials in HDPE bottles as well.
Finally please note that, with some 500 different materials and so many size options we don’t hold ready-to-sell stocks: when you buy perfumery ingredients we will prepare them to order for you. This means that large orders can sometimes take a few days to prepare and also that we don’t offer refunds on ingredients, unless of course there is a fault of some kind.
